R$50
The Wedding March – Felix Mendelssohn
Work: A Midsummer Night's Dream, Op. 61 – No. 9, Wedding March
Composer: Felix Mendelssohn (1809–1847)
Key: C major
Time signature: 4/4
Arrangement: Cello + Piano
Cello level: Easy — playable entirely in 1st position, no shifting required
Arranger / Edition: Maiko Thomé de Araujo
Source basis: prepared with reference to Mendelssohn's original orchestral score
Period: Romantic – 19th century
Region / Culture: German
Type: Wedding march / ceremonial classical music
Special features: complete original-based arrangement, 1st-position cello part, written piano accompaniment, preserved musical details and articulations, chord symbols, separate parts and reference MP3
Format: Digital download (PDF + MP3) — 2 files (1.9MB)
Musical material: 5 useful pages — 2-page full score + 1-page cello part + 2-page piano part
Felix Mendelssohn's “Wedding March” from A Midsummer Night's Dream, Op. 61 is one of the world's most recognizable pieces of ceremonial music.
Its brilliant opening, festive rhythm and triumphant melodic character have made it especially associated with weddings, recessional music and formal celebrations, while it remains an important and immediately recognizable work of the Romantic repertoire.
Although the Wedding March is frequently available in shortened or simplified instrumental adaptations, the original orchestral work contains considerably more detail in its harmony, secondary voices, articulation and musical structure.
This arrangement by Maiko Thomé de Araujo was developed from the same more complete approach used for the advanced cello edition, with direct reference to Mendelssohn's orchestral score.
The aim is to preserve the characteristic structure, harmonic movement, articulations and important secondary material of the work while adapting it effectively for Cello and Piano.
The piano provides a substantial accompaniment, incorporating harmonic and complementary material that helps retain the richness and ceremonial impact of the original orchestral texture.
The major difference in this edition is the cello writing.
The complete cello part has been arranged to remain entirely in 1st position, making the piece accessible to players who have not yet developed shifting technique.
This allows the cellist to concentrate on:
without the additional challenge of position changes.
Unlike a very simplified melody-only version, however, the cello is supported by a full written piano accompaniment, allowing the overall performance to retain much more of the musical substance and impact of the Wedding March.
An important goal of this edition is to offer an accessible cello part without unnecessarily reducing the musical content.
The arrangement follows the main structure and musical progression of the orchestral source rather than presenting only the famous opening theme or an abbreviated ceremonial excerpt.
Articulations and characteristic details are retained where practical, while performers remain free to make subtle adjustments of phrasing, bowing, articulation and balance according to their instruments and performance situation.
Keep the characteristic triplet figures clear, buoyant and rhythmically stable rather than heavy. Because the cello remains in 1st position, use the edition as an opportunity to develop accurate intonation and confident bow articulation. The piano should provide the orchestral weight and brilliance while leaving enough space for the cello melody to project clearly.
Especially suitable for beginner and developing cellists who are comfortable in 1st position, cello lessons, student recitals, weddings and ceremonies, and players who want a musically substantial version without requiring shifting. It is also a useful introduction to ensemble playing with piano, triplet articulation and Romantic ceremonial repertoire.